For Phyllis Diebenkorn

When you pasted paper on paper
did your blue tattoo conclude
the hunt for melody?  I was
engendered by your dominant
crayon.   Rusty themes in
diagonals cut through all my
misnomers for composition.
I cried and cried with the bassoons.
Yellow greens on linen pulled
my ears from piccolo to constellation.
In the acrylic encore, I pushed
colleagues off the stage to condemn
the single chime.  But the percussion’s
flesh tones revived me after each one
of your solos.  The arrow pinned
my gauze to your gouache.  
Why are we prey to ether’s whims?
Draw me a triangle from your
blurred crescendo to my cobalt spill.
My accidental diva, my acoustic
untitled hypnotic premier.


Richard Diebenkorn
Untitled, c. 1992

Cut-and-pasted paper, cut-and-pasted manufactured colored paper, gouache, acrylic, and graphite on paper
15 x 10 1/2 in. (38.1 x 26.7 cm)
Catalogue Raisonné  #726

© The Richard Diebenkorn Foundation

Sex At Noon Taxes

From the ghost town’s
fencepost, my lariat ropes
your palindromic peak
and hauls it to our bedroom,
where the timbers arch to hold off
the mountain’s hooves --- no
avalanche turns snowfall into
uncorraled horseshoes.
The steeds bear us upslope.
We reach the muddy cleft
between Maroon Bells
and Crested Butte, gnawing
on caribou and warmed
liver of once noble elk.

Sex At Noon Taxes

Ed Ruscha
Sex at Noon Taxes, 2002

Acrylic on canvas.
64 x 76 in. (162.6 x 193 cm).

© Ed Ruscha. Courtesy Gagosian Gallery. Photography by Robert McKeever

Untitled landscape

We have been there before,
but one orange line can’t
keep us from breaking through
the silver popple hovering

over some kind of hour
we tell to stay put,
to glimmer only when we
wait for it, there, where

blue rests on the bottom
of the page, where
discoveries choose to find us.
Then and there we skim

through every inch.
Is it stillness? The yellow mt.
leaks through grey sky.
The monster leads us.

Eva Lundsager
Hover Skim, 2011

Oil on linen
14 x 11 inches

© Courtesy of Van Doren Waxter Gallery, New York

Online Journals

2River Spring 2018: “Domesticated” and “Mildred’s Granddaughter”

The American Journal of Poetry: "Boys Among Men"

Pool: “Anxiety of Influence,” “Back to Wendy,” “I’m Beat,” “Dogs,” and “A Woman’s Touch

LiveMag: “Scene” and “Palette”

The Cortland Review: “Four Minutes”

poetrymagazine.com: “Private Practice,” “What the Wind Says Before Bed,” “What the Moon Says Before Sunrise,” “Fallow” and “Stopping”

2River, Summer 2014: “High Priestess” and “Justice”

Diode, Summer 2014: “Expecting Modification” and “Repetition”

Muddy Bank: “Justice”

poets.org, Poem-A-Day: "Thief"

Pool: “Makers,” “House” and “For Love to Continue”

Muddy Bank: "Defiance"

poets.org, Poem-A-Day: "Call Us"

Mudlark: "The Sense Series, Book One, I-III"

U City Review: “The Duck,” “Partner,” “The Poem is Not She,” “Product,” “Responsible,” “Sequel,”

Verse Daily: “Metronome”

Anti-: “Thwarted”

2River: “Pioggia,” “Ancora La Pioggia,” “Bound,” “Monopoly”

No Tell Motel: “Ice Cream Sunday,” “Homeopathic,” “I Can Keep a Secret,” “If I Were King of the Poetry World,” “Poethics.”

Storyscape: “Cartographer”

Diode: “The Residence,” “My Skinker,” “Topography of the Sound Universe”

Fogged Clarity: “Curdled,” “Pot”

Contemporary American Voices: July 2009 “Eve:Sunday,” “Eve: Monday,” “Eve:Tuesday:Adam,” “Eve Learns,” “Suitable Helper,” “Friday:Regret,” “Eve to God,” “Eve: To the Serpent,” “Eve to Earth.”

Ping Pong: “Deranged”